This weekend I will attend the
Oklahoma Writers’ Federation, Inc. conference, which I consider the highlight
and culmination of my writing year. Almost fifteen years ago, at the invitation
(insistence?) of Brandi Barnett, I joined a little writing group called The
Inklings. One of our first activities as a group was to join OWFI. I recall attending
my first awards banquet at that conference. Certain that the judges had never read
such error-free, grammatically correct writing, I was prepared and excited to
receive the awards and accolades bestowed on the contest pieces I’d submitted.
Disappointment
doesn’t adequately describe my reaction to being completely shut-out that year...or
the next...or the next. Embarrassment might
be more accurate. After all, I’d been teaching English for nearly twenty years
at that point. I should’ve known what I was doing. But as they say, “Experience
is what you get when you don’t get what you want.” So that year—and in many
subsequent years—I got experience. And these are some lessons that experience
taught me:
1) Connection
will always trump perfection. Creative writing isn’t an academic endeavor.
While I could compose one humdinger of a research paper or literary essay at
the time of my first contest, I hadn’t found a way to truly connect with the
reader—hadn’t found my “voice.” And while perfect grammar might connect with a
reader’s brain, “voice” connects with the heart. (Okay, my inner-English
teacher is screaming here. If I don’t indulge the old biddy, she’ll never shut
up. Grammar can’t be completely tossed out the window. If the spelling/usage/mechanics
are awful, they get in the way of a great story. The so-called “rules” can be
broken, but there should be a reason for doing so, and the writer should know she is breaking them and why.)
2) Writing is
VERY subjective. What truly is one judge’s (or reader’s) treasure is another’s
junk. Anyone who has ever entered contests or pursued an agent or submitted
pieces for publication—or read book reviews, for that matter—knows this. So if
one judge finds your entry less than enthralling but you consider it Nobel
Prize material, submit it again. Another judge just might agree with you.
3) Writing isn’t
for sissies. If you have a fragile ego, writing probably isn’t for you. The
only way you’re going to improve is to listen to “constructive” criticism from
people you trust. Through the years, I’ve received many comments on contest
entries. Some I took to heart and found my writing improved as a result. Some I
completely disregarded. If you write solely for personal satisfaction and have
no intention of ever allowing another set of eyes to see your work, that’s
fine. I’m not addressing you. I’m talking to the ninety percent of writers who
want someone to read what they’ve written.
4) Don’t quit.
Of all the contest entries I’ve submitted over the years, I’ve received only
one that was unnecessarily rude. But this nasty, egotistical judge gave me
probably the best advice I ever received. She said, “You can hate me, you can
disagree with me, you can say I don’t know what I’m talking
about. But the one
thing you cannot do is quit.” She was right about all those things. I hated her,
disagreed with her, thought she didn’t know what she was talking about. (See
above lesson.) I also followed her advice. I went back to the drawing board. I
read books on writing, I revised, I re-wrote. I entered that manuscript two
more times in contest. It never won anything...but the comments got nicer. Three
years later, that particular piece, Beyond the Farthest Star, was published by an independent publisher. In 2012 it
won OWFI Best Juvenile Book. I’m not writing this to brag—okay, maybe a little—but
to prove the point that while quitting can
be an option, it will never get you the results you desire.
So I’m off to the conference, of which the contest is only a small part. There will also be friends, famous authors, agents, editors, and workshop presentations. From them, I’ll learn a lot about the ever-evolving world of writing and publishing. And if I return home with nothing but “experience,” well, that’s okay. Because when you think about it, these “writing” lessons are also pretty good life lessons.
So I’m off to the conference, of which the contest is only a small part. There will also be friends, famous authors, agents, editors, and workshop presentations. From them, I’ll learn a lot about the ever-evolving world of writing and publishing. And if I return home with nothing but “experience,” well, that’s okay. Because when you think about it, these “writing” lessons are also pretty good life lessons.